Child Trafficking Documentary Vol 1-4 + Elite Human Trafficking Documentary Vol 1-6

High quality documentary series! Important for our time and the Awakening!

CHILD TRAFFICKING DOCUMENTARY - FULL PART 1-4 BY MOUTHY BUDDHA

Elite Human Trafficking Documentary - Full Vol 1-6 by Mouthy Buddha 

We can see this lack of substantial psychological awareness in many New Age writers and lecturers.

"James Hillman, whose works delve deeply in Jungian archetypes, sees most New Age therapeutic methods as failing to deal with the true complexities of the soul. We can see this lack of substantial psychological awareness in many New Age writers and lecturers. Though such spokespeople may specialize in Hindu and Buddhist terminology relating to the levels of consciousness, few speak with any background knowledge of Western art, literature, poetry, science, philosophy, and how these have contributed to highlighting the further heights and depths of the human situation today.

Many become popular because they speak and write with a reductionist style that brings the complex and disturbing down into canned formulas of what spiritual growth is supposedly all about. Dozens of such New Age authors could bring their works together into one large volume entitled, “How To Become Aware of the Depths of Your Being Without Disturbing the Routine of Your Comfortable Lifestyle.“”

~ Lew Paz

@timeoftransition

Beyond the Brain: Graham Hancock and Rupert Sheldrake explore the mystery of consciousness

When art transports us, where do we actually go?

An old Chinese legend tells of the painter Wu Daozi (680-c760), who learned to paint so vividly that he was finally able to step inside his work and vanish into the landscape. Magical though it sounds, this legend iterates the common intuition that artworks are more like portals than ordinary objects: they can transport us into other worlds. When I look at Pieter Bruegel's The Hunters in the Snow (1565), I feel like I was there in the frost-bitten village, rather than the galleries of the Kunsthistorisches Museum in Vienna. When reading Crime and Punishment (1866), the letters on the page conjure a whole world, and in some sense I am no longer in my living room but right there in Dostoevsky's Russia; the cinema, too, is a gateway to faraway galaxies and past centuries.

Even non-representational works can take hold of us, like the breathing colour fields of Mark Rothko's paintings or the beautiful ambience of Max Richter's music. Sometimes, artworks have such a magnetic pull that we forget the actual world around us and lose our sense of time and place, of other people - and sometimes even of ourselves. The French art critic Denis Diderot (1713-84) called such immersive experiences 'art at its most magical'. Once a painting by Claude-Joseph Vernet (1714-89) pulled Diderot inside a pastoral river scene so completely and enjoyably that he compared the experience to a divine mode of existence:

"Where am I at this moment? What is all this surrounding me? I don't know, I can't say. What's lacking? Nothing. What do I want? Nothing. If there is a God, his being must be like this, taking pleasure in himself."

No wonder, then, that there is a certain sense of wistfulness when it all ends, when the lights come up or the last page is turned, and we find ourselves back where we were, forced to carry on with our daily lives.

The idea of artworks as portals to other worlds dates back several centuries, and it has become a commonplace way of talking about our experiences with art. In Pictures and Tears (2001), the art historian James Elkins called it the 'travelling theory' of aesthetic experience. The obvious problem with this theory, however, is that it sounds terribly metaphorical. In reality, I never leave my place in physical space. I'm there in the gallery, the auditorium or on my sofa all along. Try as I might, I cannot enter Bruegel's landscape by touching the canvas, nor can I run into the world of Hamlet by running onto the stage. The artwork allows me only to peer as if from a threshold, where I can see inside but never enter. Here we face what I call the paradox of aesthetic immersion: when I'm immersed in artwork, I seem to go somewhere without going anywhere, and I seem to be in two worlds at once, and yet I'm not properly in either.

So what kind of 'travelling' are we talking about?

Full article: https://www.sott.net/article/463294-When-art-transports-us-where-do-we-actually-go

Were psychedelics used in the ancient world?

Global Human Trafficking and Off Planet Trade

There is no currency or financial system that is used between space faring civilizations so everything is based on bartering. Some ET’s are interested in some of the Earth’s Art (again some of our most famous missing historical art pieces are in off world collections), Luxury Items like Spices/Chocolate, Animal and Plant Life while many others are interested in trading their technology and biological specimens they have obtained elsewhere for Human Beings. These Humans are used for many purposes including manual slave labor, sex trade, engineering/manufacturing (we are well known for the abilities some of us have with certain technical skill sets). There are some of the ET’s that use Humans as food resources in various ways.

The Secret Earth Governments and their Syndicates discovered that a large amount of humans were being taken off the planet by various ET’s anyway so they decided to find a way to profit from it and have control over which people were being taken. In prior arrangements they were made promises of receiving technologies and biological specimens for allowing groups to abduct humans but the ET’s rarely delivered on their promises. Once they had developed the advanced infrastructure (ICC) in our Sol System along with advanced technologies (that some of the thousands of ET groups traveling through our system were now interested in obtaining) and now had the ability to deter most unwelcome guests from entering Earths airspace the Cabal/ICC then decided to use human trafficking as one of their resources in interstellar bartering.

Full Disclosure is necessary to reveal the full scope of human slavery, which extends off planet and into many other civilizations of which earth humans, many that are children, are used for sex and trafficked. In most all reasons behind the massive profits for human slavery, sexual slavery and free labor for the NAA is involved.

Full Disclosure Event

OUT OF SHADOWS - Brad Martin, True Story Of A Hollywood Stuntman (Truth Warrior)

Documentary lifts the mask on how the mainstream media & Hollywood manipulate & control the masses

OUT OF SHADOWS

Could it be that human evolution is not just the meaningless process that Darwin identified, but something more purposive and intelligent that we have barely begun to understand?

A floating artificial island built in Mexico by British artist Richart "Rishi" Sowa

Third-eye is a gift from life

There is something beyond our mind which abides in silence within our mind. It is the supreme mystery beyond thought.

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sparsely inhabited parts of the U.S. (states like New Mexico and Texas)

When we look further we see that the overall organization of life is centered around the pursuit of illusions and automatic obedience to institutions and ideas which are not at all what they seem.

“People are taking the piss out of you everyday. They butt into your life, take a cheap shot at you and then disappear. They leer at you from tall buildings and make you feel small.They make flippant comments from buses that imply you’re not sexy enough and that all the fun is happening somewhere else. They are on TV making your girlfriend feel inadequate.They have access to the most sophisticated technology the world has ever seen and they bully you with it. They are The Advertisers and they are laughing at you.” – Banksy

the-6-grand-illusions-that-keep-us-enslaved-to-the-matrix

The true meaning of art

Beauty opens our senses, and it makes us more psychic. I was saying to someone recently that that is the true meaning of Art, to make beauty, and then to have that beauty really stimulate our senses, so that we then move beyond the reality we’re in, and we can sense our connectedness to other realities. Because, reality is multi-dimensional

Barbara Marchiniak